Jan Van Eyck Madonna in the Church - 1223 Words

Madonna in a Church is a small oil panel on oak by Flemish painter Jan van Eyck. Madonna in a church was made between c. 1438-1440. Van Eyck has been traditionally credited with the invention of painting in oils, and, although this is incorrect, there is no doubt that he was the real master of the technique. The use of oil paints is very signiï ¬ cant in this artworkÊ ¼s luminescent quality and presentation of space. The artist creates a new relationship between the viewer and the picture. There is an illusion of a modern, threedimensional scene and through this new more naturalistic, lifelike approach, the viewer becomes connected to the painting, not just in physical terms, but socially, spiritually and emotionally as well. The minute we†¦show more content†¦We see a sculpture of Christ behind her, while the baby Jesus is in her arms. She is presented in the everyday life of those people living in the 15th century and part of their modern culture. The church is richly decorated, in the Gothic style. Jan Van Eyck pays attention to detail in his painting of architectural interiors, done with unrelenting accuracy. The church is an important symbol of MaryÊ ¼s chastity. ItÊ ¼s an Ideal church, Jan Van EyckÊ ¼s fantasy of a perfect interior to enthrone Mary. This is a way to represent the heavenly sphere in an environment that the people of the time period can recognize. Concluding from the small size of the painting, it was not a painting designed for a huge Gothic church where most paintings were much bigger in proportion. It was probably made for a wealthy man at the time. In the Renaissance it was common for wealthy people to collect artworks, it had a social signiï ¬ cance. Above this, religious paintings and prayer books were manifestations of commitment to prayer. The Flemish didnÊ ¼t limit their demonstration of piety to the public realm, the individuals commissioned artworks for private use in their homes as well. Ideology of the time also inï ¬â€šuenced the painting. The Madonna is holding the child that is supposed to be Christ. Her face is turned away from the child,Show MoreRelated Ian van Eyck Essay598 Words   |  3 Pages nbsp;nbsp;nbsp;nbsp;nbsp;Jan van Eyck was a master in style and symbolism, establishing a firm superiority in glaze technique and delicately and elaborately applying subtle, yet powerful religious references to what at first glance may seem simple portraits. nbsp;nbsp;nbsp;nbsp;nbsp;Van Eyck’s drawing, Saint Barbara, completed in 1437, is an example of the artist’s use of fictional exotic or Romanesque style structures, suggestive of those from the Old Testament. (p.99 textbook) OtherRead MoreAnalysis Of Lucca Madonna1176 Words   |  5 PagesLucca Madonna, Jan Van Eyck Description Analysis Interpretation Judgment Art Criticism The Lucca Madonna portrays Virgin Mary sitting on a throne feeding baby Jesus. Van Eycks use of color truly draws the viewer to the painting. 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